'Desert Island'
"Reality is a finger print" is winner of for the 'FBZ Special Award' in Bochum, Germany
Winner will be announced 30th of June 2022
A visit is possible by appointment. Registration: Tel: 0234-32-28178 (Mon-Tue from 4-6 p.m., Wed-Fri from 10 a.m.-12 p.m.)
Rijksakademie, Amsterdam, NL
150 Years of Artistic Practice
'Romeo'
Beautiful Distress House, Amsterdam, NL
15:00 lezing door Wouter Kusters, 16:00 borrel
Beautiful Distress House,
Ms. van Riemsdijkweg 41a
1033 RC Amsterdam
Beautiful Distress House, Amsterdam, NL
Solo exhibition 'Reality'
opening 18 september 19.00 - 22.00
Beautiful Distress House,
Ms. van Riemsdijkweg 41a
1033 RC Amsterdam
Group show by Beautiful Distress and Het Vijfde Seizoen at Nieuw Dakota
"Reality is a finger print"
Group show by Beautiful Distress and Het Vijfde Seizoen at De School
"It's cloudy inside"
Artist in residence, Beautiful Distress, New York, USA
‘Blue Hour’ got shortlisted for the LOOP Discovery Award.
Bradwolff projects, Amsterdam, NL
'Blue Hour' is a collaboration with Merel Karhof
'Play within a play' has won the 'Honorable Mention Award' in the Experimental Short Competition at Nashville Film Festival (USA)
Nashville, USA
'Play within a play'
Braunschweig, DE
'Play within a play'
nternational Women's Film Festival, Rio de Janeiro, Brazil
'Play within a play'
Sign, Groningen, NL
'Inner Space/Outer Space'
Part of tour BNG Workspace project award 2012
EYE, Amsterdam, NL
Soledad Senlle Art Foundation, Amsterdam, NL
'Inner Space/Outer Space'
Part of tour BNG Workspace project award 2012
School of Creative Art’s eMerge Gallery, Australia
'Vessel'
Collaboration with Jasper van den Brink
Kunstmuseum Bonn- Germany
Premiere video installation 'Vessel'. 'Vessel' is a collaboration with video artist Jasper van den Brink
Museum de Paviljoens, Almere
'Eye'
2004, multi media installation, 10 x 10 x 2,3 meter high, sound track 20’00" min
Installation view, Open Ateliers 2004, Rijksakademie, Amsterdam, NL
Inside the installation 'You and I' one can wonder and listen to bits and pieces of conversation between two lovers. The work can as well be seen from high above inside the space. From this viewpoint one will notice that the installation does not consist out of random forms, but that one has been wondering through a three-dimensional text; ‘You and I’, designed in curly shaped letters which have an labyrinthian anatomy by themselves.
The work plays with different levels of realities; the physical reality of the experience and seduction; the curtains feel like a skin and invites one to wonder. Then there is the fictional conversation between the two lovers, which causes a slightly uneasy atmosphere; one can hear them breathing, talking, coughing and giggling, but one will never cross their path. But still one is willing to believe it, and to be seduced by a fictional world. And there is the psychological reality of language, the from above to be read love-letter ‘You and I’ which refers to the romantical notion to become ‘we’.
Acknowledgment